Neil Nagy - A Retrospective
It has been a great joy to have been able to offer a retrospective of the works of Neil Nagy. With paintings from almost all of Nagy's working periods, we are also thrilled to include several new and recent works as well as some earlier pieces that have never been offered for sale before.
Neil Nagy was born in 1941 in the East Los Angeles Latino community of El Sereno.
He is a figurative expressionist painter who draws upon the single, powerful human form as a way to explore the humanistic, personal and spiritual paths.
Nagy’s inspirations have continually evolved. He came to appreciate the culture and art of Mexico as he traveled extensively to drink in the colorful life of the people and the country and to study ancient Mayan civilizations. Several residencies in the plains of the Bahio and the central western coast added to this impression on his life and especially his art. He is also influenced by the work of Rembrandt, Constable and Turner as well as Japanese art especially contemporary woodcuts.
Nagy received his education at San Jose State College for Industrial Design and Art and later at the Instituto Allende in San Miguel Allende. In 2006 Nagy was selected for an important “Bay Area Figurative” Exhibition where he showed alongside Diebenkorn, Park, Oliveira and others. He has held exhibitions internationally and has been included in a number of corporate and private collections.
Neil Nagy gained exposure to the art of the Bay Area Figurative painters Manual Neri and Nathan Oliveira near San Francisco in the early 1960s. The laid-back attitude of this period in California resulted in his lighter and more humanist interpretation of the severe existential Northern European style while being informed by the explosive Abstract Expressionist style.
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Retrospective Exhibition - The Vintage Club, Indian Wells, CA
Neil Nagy was born in 1941 in the East Los Angeles community of El Sereno amongst the Mexican culture, of which its buoyant joyfulness and bold colors would greatly influence his future artistic sensibilities.
In the early 1960s Nagy gained exposure to the art of the Bay Area Figurative painters Manual Neri and Nathan Oliveira as an Art and Design student at San Jose State College. The laid-back attitude of the period resulted in a lighter and more humanist interpretation of the severe existential Northern European styles. This, along with the explosion of Abstract Expressionism, informed Nagy’s style and work. In 2006 he was selected for an important “Bay Area Figurative” exhibition where he showed alongside Diebenkorn, Park, Oliveira and others.
Nagy’s focus became steeped in figurative expressionism, in which he used the human form in mild abstractions to articulate spiritual and physical existentialism. For him, the single human form was the most powerful means of delivering works of poignant beauty that also carried intense emotional messages.
Although the figure remains central, the paintings continue to evolve, expressing considerations occupying the artist’s mind from ancient Chinese and Mayan history to contemporary figurative art. Recently, Nagy’s work has been inspired by explorations of the cultural influence of Japan on the postwar modern art world and the exquisite, meticulous art of calligraphy.
Statement about the Artist
by Peter Frank, January 2011
It’s really all just pigment pushed around on paper. But Neil Nagy pushes that pigment with the consummate skill – now delicate, now impatient, now meditative, now explosive – of a born artist. You don’t have to be born an artist to make work this effective, but you do in order to make work this affecting. He looks, he draws. And in the process Nagy teases himself and you, going in and out of detail, going in and out of light and shadow, going from wandering line to palpable solid, going from passages of bright color to passages of deep black and sensuous gray.
Nagy has cultivated his native skill, to be sure, and he cultivates it unceasingly. Thus, he can go from the fluid rendition of an immediately observed nude, the subject and treatment for which he is best known, to the “constructed” image of a clothed woman, his newest investigation. He can go from the facelessness of a body to the bodylessness of a face, from the landscape of a reclining torso to the still life of a seated presence, from the passive eros of a pin-up to the dynamic power of a dancer. Nagy touches upon and even combines popular tropes and artistic fancies, blurring identities and actions into descriptions of women that defy stereotypes by combining them. Finally, we don’t know where the lyricism of these images truly comes from – the bodies and attitudes of the subjects or the hand and mind of the artist? As long as we stay unsure, Neil Nagy keeps us rooted in his oblique accounts, pictures of people becoming moments and moments becoming people.
|1941||Born Neil Frank Nagy in El Sereno, East Los Angeles to Frank and Doris Nagy.|
|1952||Was encouraged by 5th grade teacher to draw and paint during academic lessons.
Miss Lynn also taught Neil to use her letterpress printing machine.
|1955||Attended La Habra High School and drifted through with major interests in football, cars and motorcycles.
Continued to draw and paint on everything from club jackets to his bedroom walls.
|1959||Accepted to San Jose State College and majored in Industrial Design with minor in Art.|
|1960||Spent free time in San Francisco in the fringes of the hippie move ment and discovering the new art of the Bay Area Figurative painters.|
|1961||Apprenticed at Design Studio on Fridays and spent the weekends haunting the museums and the North Beach galleries.|
|Graduated with Honors at the top of his class. Was selected one of four superior graduating west coast seniors by the Industrial Design Society of America.|
|1965||Married Barbara Young-Fothergill. Marriage lasted 20 years.
Raised 3 daughters, Deborah, Mary and Elizabeth who gave seven grandchildren.
|1966||Moved to Seattle, WA to work for Walter Darwin Teague, the largest design firm in the world at the time.|
|1967||Assigned to run a satellite office inside The Boeing Company with Industrial Design responsibility for all 737 corporate customers. The job required extensive foreign travel and allowed access to art museums all over the world. He discovered and was influenced by the work of Rembrandt, Constable and Turner as well as Japanese art especially contemporary woodcuts.|
|1972||Returned to Southern California and became a partner in a start- up company which designed and produced airline freight handling equipment and passenger loading bridges.|
|1976||Founded Nagy Design, Inc. An industrial design consulting firm.
Continued to attend life drawing workshops and studied advanced painting at Los Angeles Harbor College, El Camino College and Otis College.
|1985||Began extensive travels in Central Mexico, visiting such cities as Oaxaca, Mexico City, Zacatecas and Guanajuato. Was influenced by the Mayan and Olmec art and cultures. Studied at the Instituto Allende in San Miguel de Allende.|
|1988||Explored Belize by Jeep an visited several archaeological sites.|
|1990||Explored Laguna Isabel and Rio Dulce Guatemala in a sailboat.|
|1992||Built a studio on his home in Palos Verdes, CA.|
|1994||First solo show at The Lydon Fine Art in Chicago, IL.|
|1995||Installed a gas fired kiln on his Palos Verdes property. Worked on high fired stoneware sculpture.|
|1996||Joined Left Bank Gallery in Laguna Beach, CA and had several solo shows there.|
|1997||Worked on a series of “Works In Process” comprised of simultaneous drawing, painting and sculpture. The series was shown at solo exhibitions at Angels Gate Cultural Center in San Pedro and the Portland Craft Museum in Oregon.|
|1999||Joined Learsi Gallery in Palm Desert, CA.|
|2001||Sold his interest in the design business to concentrate full time on his art.|
|2003||Bought a home in Palm Springs, California, but maintained his painting studio in San Pedro.|
|2006||Participated in a Bay Area Figurative retrospective at The John Natsoulas Gallery in Davis, CA. This seminal exhibition featured virtually every Bay Area Figuerist from David Park forward.|
|Representation by The Hart Gallery in Palm Desert, CA.|
|2009||Representation by Hohmann Fine Art, Palm Desert, CA.|
|2010||Neil Nagy & jd hansen, “Painting and Sculpture” Hohmann Fine Art, Palm Desert, CA.|
|Solo exhibition, Works on Paper “The First Hour” Hohmann Fine Art, Palm Desert, CA.|
|2013||Solo exhibition, “Azuma” Hohmann Fine Art, Palm Desert, CA.|
|2015||Solo exhibition, “New Paintings” Hohmann Fine Art, Palm Desert, CA.|
|2016||Palm Springs Fine Art Fair, Hohmann|
|2018||Art Palm Springs, Hohmann|
|Neil Nagy Retrospective, Hohmann Fine Art, The Vintage Golf Club|