Enfant Terrible and International Hooligan Artist David Cerny Featured at Hohmann CONTEXT Art Miami Booth
Visitors to the Hohmann booth at CONTEXT Art Miami this December 5-10, will get an up-close-and-personal glimpse into the mind of notorious provocateur David Cerny. The Czech artist first gained notoriety in 1991 when he painted a Soviet tank pink as a memorial to war in his native Prague. Since then his artistic acts of civil disobedience, grand scale installations, and exhibitions have continued to incite strong reactions worldwide. In 2005, he participated in the Prague Biennale 2 with his work “Shark”—a riff on fellow artist Damian Hirst, which consisted of an image of Saddam Hussein immersed in a tank of formaldehyde. Famously, in a stance against communism in 2015, Cerny installed a 30-foot-tall purple hand on a barge in Prague’s Vltava River raising its middle finger in a “Fuck You” directly in front of the castle where Czech president Milos Zeman lived.
Brilliance resides alongside Cerny’s rebelliousness in his art. Many recent works were created through the artist’s proprietary and mind-boggling technique of casting three-dimensional objects from everyday life such as guns, tubes, tools, and light bulbs that emerge completely formed yet translucent as if on permanent x-ray. These items are then used in various ways, embedded in polymer resin, to either become subliminal constituents of an overall image, or as singular objects in a composition meant to impart a strong message.
For example, the Hohmann booth will feature two of Cerny’s large portraits created with this technique of two historically important men. J. Robert Oppenheimer, known as the “father of the atomic bomb,” and Wernher von Braun, the inventor of German and American missiles are representative of the lineage of minds that contributed to the eventual realization of nuclear weapons. Weaponry, indeed, is included in these works as well as hundreds of Cerny’s see-through objects, all conspiring to make up each uncannily accurate face. A third piece consists of a violin case and hidden within guns, grenades and bullets, seen floating in a resin box, reminiscent of objects seen through the eyes of a security agent commandeering an x-ray machine.
Hohmann is pleased to present these timeless, controversial works by an artist not afraid to investigate the political climate, war machine, and other social issues of our tumultuous contemporary times.
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